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1984 single by George Michael

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"Careless Whisper"
Careless Whisper UK single.jpg

UK vii" vinyl release artwork, as well used for various international releases
Single by George Michael (most territories)/Wham! featuring George Michael (U.s.a.)
from the album Make It Big
Released 24 July 1984
Studio Sarm Westward, London
Genre
  • Pop[1]
  • soul[ii]
  • R&B[three]
Length
  • half dozen:30 (album version)
  • 5:00 (single version)
Label
  • Ballsy
  • Columbia
  • Sony
Songwriter(s)
  • George Michael
  • Andrew Ridgeley
Producer(due south)
  • George Michael
  • Jerry Wexler (original)
George Michael (most territories)/Wham! featuring George Michael (Usa) singles chronology
"Wake Me Upwardly Before Yous Go-Go"
(1984) 		"Devil-may-care Whisper"
(1984) 		"Freedom"
(1984)
George Michael (rest of the world) singles chronology
"Careless Whisper"
(1984) 		"A Different Corner"
(1986)
Music video
"Careless Whisper" on YouTube
Culling cover
Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

Artwork for the United states of america vii" vinyl release credited to Wham! featuring George Michael.

"Devil-may-care Whisper" is a song by the English vocalizer George Michael. It was written by Michael and Andrew Ridgeley[iv] of Wham! and was released on 24 July 1984 on the Wham! album Make Information technology Large.

The song features a prominent saxophone riff, and has been covered by a number of artists since its showtime release. It was released as a single and became a huge commercial success around the world. It reached number ane in virtually 25 countries, selling virtually 6 million copies worldwide—2 million of them in the United states of america.[5]

Groundwork [edit]

Composition and writing [edit]

In 1981, Michael was working as a DJ in the Bel Air restaurant nearly Bushey, Hertfordshire.[vi] Michael explained in his autobiography, Blank, that he conceptualised "Devil-may-care Whisper" based on events from his childhood. Michael wrote, "I was on my way to DJ at the Bel Air when I wrote 'Careless Whisper'. I accept ever written on buses, trains and in cars. It ever happens on journeys... With 'Careless Whisper' I recollect exactly where it first came to me, where I came upwards with the sax line... I recollect I was handing the money over to the guy on the charabanc and I got this line, the sax line... I wrote it totally in my caput. I worked on it for almost three months in my head."[7]

"When I was twelve, xiii, I used to have to chaperone my sister, who was ii years older, to an ice rink at Queensway in London," he explained. "There was a girl in that location with long blonde pilus whose name was Jane. I was a fat boy in glasses and I had a big shell on her - though I didn't stand up a adventure. My sister used to go and practice what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[eight]

"A few years after, when I was sixteen, I had my commencement relationship with a girl called Helen," Michael connected.

It had just started to cool off a bit when I discovered that the blonde girl from Queensway had moved in just around the corner from my school. She had moved in right adjacent to where I used to stand and await for my side by side-door neighbour, who used to give me a lift dwelling from school. And one day I saw her walk downward the path side by side to me and I thought – now where did SHE come up from? She didn't know information technology was me. It was a few years later and I looked a lot different. Then we played a school disco with The Executive and she saw me singing and decided she fancied me. By this time she was that much older and a big buxom thing – and eventually I started seeing her. She invited me in i twenty-four hour period when I was waiting for my elevator and I was ... in sky.[8]

Michael observed that after he stopped wearing spectacles, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.

So I went out with her for a couple of months only I didn't stop seeing Helen. I thought I was being smart – I had gone from beingness a total loser to being a two-timer. And I retrieve my sisters used to requite me a hard time because they establish out and they really liked the first girl. The whole idea of "Careless Whisper" was the get-go daughter finding out about the second – which she never did. But I started another human relationship with a girl called Alexis without finishing the i with Jane. It all got a bit complicated. Jane found out about her and got rid of me ... The whole time I thought I was being absurd, being this 2-timer, but there actually wasn't that much emotion involved. I did experience guilty about the offset girl – and I have seen her since – and the idea of the song was about her. "Careless Whisper" was us dancing, because we danced a lot, and the idea was – we are dancing ... only she knows ... and it'south finished.[8]

Andrew Ridgeley came up with the chord sequence on his Fender Telecaster he had received for his 18th birthday.[9] They continued to work together on the music and lyric both at Michael'southward house in Radlett, and Shirlie Holliman's aunt'southward basement flat in Peckham, where Ridgeley was living.[9] [10]

Demoing [edit]

The original demo was recorded past local music producer Paul Mex, in January 1982 alongside those for "Social club Tropicana" and "Wham Rap! (Savor What You Do)" in the front room of Ridgeley's home (his parents' lounge turned into a makeshift studio) with Mex's TEAC 4-rails Portastudio. Because most of the twenty-four hour period was spent on Wham Rap!... and Ridgeley's female parent had returned home past that signal, Devil-may-care Whisper had to be recorded in ane take very quickly. Information technology featured a Doc Rhythm drum machine, an acoustic guitar (played past Ridgeley) and a bass guitar (played by Dave W), with Michael'southward vocal (recorded with a microphone attached to a broom handle).[eleven] [12] The overall cost of the recording was £xx (largely due to the rental cost of the Portastudio) and the duo landed a deal with Innervision by Mark Dean on the force of the demos.[13] [14]

A more than complete and fully realised 2d demo was recorded on 24 March 1982 at Halligan Band Centre, Holloway, London with a backing ring and a saxophone riff.[xv] Even so, on the aforementioned day, Michael and Ridgely were called over by Dean to sign a contract in addition to the tape deal, which they did at a nearby greasy spoon café. Michael recalls of that mean solar day:

"Ane of the most incredible moments of my life was hearing 'Careless Whisper' demoed properly, with a band, a sax and everything. It was ironic that we signed the contract with Marker [Dean] that solar day, the 24-hour interval I finally believed we had number-1 textile. That same day nosotros signed information technology all abroad. But you can never really know what yous are capable of, you can never really accept that foresight."[15]

Production [edit]

The song went through at least ii rounds of production. The first was during a trip Michael fabricated to Sheffield, Alabama, where he went to piece of work with producer Jerry Wexler at Muscle Shoals Sound Studio in 1983.[16] [17] Michael was unhappy with the original version produced past Wexler, and decided to re-record and produce the song himself; the 2d version was the ane ultimately released equally a unmarried.

After the backing track and George'due south vocal had been recorded, Wexler had booked the top saxophone player from Los Angeles to fly in and do the solo.[18] "He arrived at eleven and should accept been gone by twelve", recalled Wham! manager Simon Napier-Bong. "Instead, after two hours, he was yet at that place while everyone in the studio shuddered with embarrassment. He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. Merely that had been made 2 years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."[eighteen]

While the saxophonist appeared to exist playing the role perfectly, Michael told him, "No, it's still non right, yous run across..." and he would lower his head to the talkback microphone and patiently hum the role to him nevertheless once again. "Information technology has to twitch up a little just in that location! Encounter...? And not too much."[18]

Napier-Bong consulted with Wexler over Michael'southward dispute with the sax audio. "Is in that location really something George wants that'south dissimilar from what the sax histrion is playing?" Napier-Bell asked.[18] "Definitely!" replied Wexler.

"I've seen things similar this before. There'due south some tiny nuance that the sax player is somehow non getting correct. Although y'all and I can't hear what information technology is, it may exist the very matter that will brand the record a hit. The success of popular records is then ephemeral, then unbelievably unpredictable, nosotros merely tin't take the risk of existence impatient. Just this sax histrion'southward not going to become it, is he!"[18]

The version Wexler produced was released later on in the year, equally a (4:41) B-side "Special Version" on 12" in the UK and Japan.

The record characterization Innervision was going to put out the Wexler version of "Careless Whisper" after the Club Fantastic Megamix as early as 1983. Vocal publisher Dick Leahy said that while he could non stop the release of the Club Fantastic Megamix, he could cease the release of this single on the basis that as a publisher they "have the right to grant the showtime license of the recording of a tune of which he controls the copyright". He was unable to exercise anything about the Club Fantastic Megamix because it was already released material. He said: "We knew how big that song could be, so it was necessary to upset a few people to stop it."[19] Towards the end of 1983, Michael was likewise committed to touring with Wham! to promote Fantastic, so according to him it would not have made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it being part of the setlist.[twenty]

Michael after went dorsum to London'south Sarm West'southward Studio 2 to re-record the rail, the backbone of which was done with a live rhythm section in one take, with "loads of stuff bunged on [overdubbed] later" equally Michael added, although the feel of information technology was basically live.[21] [22]

Michael elaborated on the song's production and how it turned out in the end:

"Jerry Wexler did one recording of "Careless Whisper" with me. And then we re-mixed that, which meant re-shooting the video and then we completely re-did the rail about four weeks earlier it was due to be released. When we originally fabricated it I was totally in awe of Jerry Wexler and it was the showtime fourth dimension that I had ever felt similar that most everyone that I'd worked with. Usually I have problem convincing myself that people know what they're doing. In this case I had to go drunk in club to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was good enough for the song and whether there was enough of me in it because it just did not sound similar me. I said 'it's swell. Jerry's done a dandy task on it', and for the showtime time since nosotros'd started I was bullheaded to what was going on because the song was already two and a half years old and I just did non have a clue about where else I could have it. Eventually I just idea, 'sod this. I'm going to go in and do it as if it had never been washed before with the musicians we normally utilise and come across what happens.' The rails was much ameliorate considering I was relaxed and I think that our musicians did a much amend job than the Muscle Shoals section". [22]

After hiring and firing several other different sax players, for which the BBC characterized as struggling to play all the notes with "the right amount of fluidity and withal exhale,"[23] Michael eventually heard what he was looking for from Steve Gregory.[24]

During an interview with DJ Danny Dominicus, Gregory said he was the 9th sax player to effort the riff. Gregory said Michael's secretarial assistant had phoned him upwards midday and asked him to give the solo a try.[25]

"When I got there, it was nigh getting on to midnight, and at that place was another saxophone player in the studio, Ray Warleigh, who I knew quite well, and he said 'what are you doing here?' And George hadn't showed upwardly. So Ray was a bit fed up. He said 'Well I'm going, you lot can practise it. I've had enough of waiting.' So he left and information technology was just myself, and (record producer) Chris Porter. And then I said I've had quite a long day, I'm going to do a better task now than I will at 3 o'clock in the morning, so tin nosotros try and exercise something? So we went into the command room and George had already recorded information technology in LA with Jerry Wexler producing it and Tom Scott playing the saxophone line...he said this is what you got to exercise and he played this and I thought 'That is fantastic, why on Earth does he want to practise it again? I can't play it as well as that!' And (Porter) said 'Oh, it's a new version, he's washed his own production, information technology'south a new rails, it'due south got to be re-washed, he just needs that on the new rail,' so I went in the studio I tried to do information technology and my saxophone is an old Selmer (tenor sax) from about 1954 or something and I didn't have that height note. I didn't accept a proper notation on my saxophone, I had what we call a fake fingering I had to practise to play it. And so it didn't actually sound that smooth. It didn't sound that neat. And then having been effectually for a while, having had a flake of feel, I suggested to him, I said, 'await, if you took information technology downwardly past a semitone, a very small-scale amount, I'd accept all the proper notes on my horn and we could see how information technology sounds. So that'south what he did, he sort of did his calculations and took it down a semitone, so I went out again and I played information technology in a lower key and when later I finished it I went back into the control room and he played it back and he put information technology dorsum up to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I recall we got it!' Then he pointed at me and said, 'You are number 9!'"

The officially released single was issued in August 1984, inbound the UK Singles Nautical chart at number 12. Within two weeks it was at number one, ending a 9-week run at the tiptop for "Two Tribes" past Frankie Goes to Hollywood.[4] Information technology stayed at number one for three weeks, going on to go the 5th best-selling single of 1984 in the United Kingdom; outsold simply by the two Frankie Goes to Hollywood tracks, "Ii Tribes" and "Relax", Stevie Wonder with "I Only Chosen to Say I Dearest You", and Band Aid's "Do They Know Information technology'south Christmas?". The song as well topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 nether the credit "Wham! featuring George Michael". Spending three weeks at the tiptop in America, the song was afterwards named Billboard 's number-one song of 1985. The song was #1 on the smooth radio pinnacle 500 songs of all time nautical chart – proving its iconic status.

Despite the success, Michael was never fond of the vocal. He said in 1991 that it "was not an integral role of my emotional development ... information technology disappoints me that you can write a lyric very flippantly—and not a especially practiced lyric—and it can mean so much to and so many people. That'due south disillusioning for a author."[nineteen]

Music video [edit]

The official music video (which uses the shorter unmarried version instead of the full album version and was directed past Duncan Gibbins, who previously directed "Wake Me Up Before You lot Become-Become") shows the guilt felt past a man (portrayed by Michael) over an affair, and his acknowledgement that his partner (Lisa Stahl) is going to find out. Madeline Andrews-Hodge plays the adult female who lures George away. Information technology was filmed on location in Miami, Florida, in Feb 1984[26] and features such locales every bit Kokosnoot Grove and Watson Island. The concluding part of the video shows Michael leaning out of a pinnacle floor balcony of Miami's Grove Towers.[27] [28]

A first original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew every bit a cameo, handing over a alphabetic character to a dark-haired George. This version had a more detailed storyline, but was then re-edited later.[29]

Co-ordinate to producer Jon Roseman, production of the video was "A fucking disaster".[30] According to Michael's co-star Lisa Stahl, "They lost footage of our kissing scene and so we had to reshoot information technology, which I didn't complain near ... And then George decided he didn't like his hair and then he flew his sister over from England to cut information technology and we had to reshoot more scenes."[31]

Equally the band felt they had "screwed up" the video, farther footage of Michael singing the vocal onstage was later shot at the Lyceum Theatre, London.[30] The video performance (1984 Version) was officially uploaded to George Michael YouTube channel on 24 Oct 2009. It has over 852 million views as of 2022.

Rails listing [edit]

All tracks are written by George Michael and Andrew Ridgeley.

7": Epic / A 4603 (UK)
No. Title Length
1. "Careless Whisper" (Single Edit) 5:04
two. "Careless Whisper" (Instrumental) 5:02
12": Epic / TA4603 (Britain)
No. Championship Length
i. "Careless Whisper" (Extended Mix) 6:31
2. "Careless Whisper" (Instrumental) 5:02
12": Columbia / 44-05170 (US)
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:20
2. "Devil-may-care Whisper" (Instrumental) 4:52
12": Columbia Promotional / AS-1980 (US)
No. Title Length
1. "Devil-may-care Whisper" iv:50
2. "Devil-may-care Whisper" 4:50
12" maxi: Epic / QTA 4603 (Britain) – Special Edition
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:31
ii. "Careless Whisper" (Jerry Wexler Special Version) v:34
3. "Careless Whisper" (Condensed Instrumental Version) 4:52
  • Note: The Extended Mix is identical to the anthology version from Make It Big.

Credits and personnel [edit]

  • George Michael – lead and backing vocals
  • Andrew Ridgeley – acoustic guitar (uncredited)
  • Steve Gregory – saxophone
  • Deon Estus – bass
  • Trevor Murrell – drums[nb i]
  • Chris Parren – keyboards
  • Anne Dudley – keyboards [33]
  • Hugh Burns – electric guitar
  • Danny Cummings – percussion

Credits adapted from the Extended Mix'south liner notes.[34]

Charts [edit]

Certifications [edit]

Cover versions [edit]

"Careless Whisper" has been covered past many other artists. Among the most pregnant versions are:

  • Sarah Washington on a dance version that peaked at number 45 on the United kingdom of great britain and northern ireland Singles Chart (1993).[93]
  • 2Play produced a cover version in 2004. It charted at number 29 in the United kingdom of great britain and northern ireland.[94]
  • Kamasi Washington and El Debarge performed it to pay tribute to George Michael at the 2022 BET Awards.[95]
  • Due south African alternative rock band Seether covered the song on their 2007 album Finding Beauty in Negative Spaces. It charted at number 63 in the U.s.a..[96]
  • Dutch rapper Lil' Kleine sampled the chorus for his song, titled "Dansen", on his most recent album Ibiza Stories.[97]
  • Saxophonist Dave Koz recorded a comprehend version for his 1999 album The Dance, featuring Montell Jordan on lead vocals; in 2000 the song peaked at number 30 on Billboard's developed gimmicky nautical chart.[98]

Encounter also [edit]

  • Listing of best-selling singles in the United Kingdom
  • List of number-one singles in Australia during the 1980s
  • List of Dutch Pinnacle 40 number-one singles of 1984
  • List of number-ane singles of 1984 (Ireland)
  • Listing of number-ane hits of 1984 (Switzerland)
  • Listing of number-one singles from the 1980s (U.k.)
  • List of RPM number-1 singles of 1985
  • List of Hot 100 number-1 singles of 1985 (U.S.)
  • Listing of number-ane adult contemporary singles of 1985 (U.Due south.)

Notes [edit]

  1. ^ The proper name of Wham!'south drummer was Trevor Murrell.[32] He is listed on the liner notes every bit Trevor Morrell.

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  9. ^ a b Ridgeley, Andrew (2019). Wham! George & Me (Commencement ed.). Penguin. p. 134. ISBN9780241385807.
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External links [edit]

  • Careless Whisper canvass music PDF

nelsontwountor.blogspot.com

Source: https://en.wikipedia.org/wiki/Careless_Whisper

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